Bach Bibliography Search Result

Author : Butt, John
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Type	List	Title [further info]	Series	Vol	No	Year	Pages	Status
		[]
	1.	'A mind unconscious that it is calculating'? Bach and the rationalist philosophy of Wolff, Leibniz and Spinoza.	[ce]CambridgeCompanion_Bach			1997	60-71
	2.	Bach and the dance of humankind.	[ce]MusicologyDance			2020	19-48
	3.	Bach: cantatas and a passion.	EarlyM	34	1	Feb 2006	168-171
	4.	Bach Interpretation. Articulation Marks in Primary Sources of J. S. Bach.				1990	xiii, 278p
	5.	Bach in the 21st Century: Re-evaluating him from the perspective of performance.	[p]BCB_Dublin			Jul 2000
	6.	Bach in the twenty-first century: re-evaluating him from the perspective of performance.	IrishMStud	8		2004	191-204
	7.	Bach in the twenty-first century: re-evaluating him from the perspective of performance.	BachNachwelt	4		2005	169-181
	8.	Bach: 'Mass in B Minor'.	CambridgeMHandb			1991	126p
	9.	Bach Passions and the Concepts of Time.	[p]CWolff_Harvard			Sep 2005
	10.	Bach Recordings since 1980: A Mirror of Historical Performance.	BachPerspectives	4		1999	181-198
	11.	Bach's Dialogue with Modernity: Perspectives on the Passions.				2010	336p
	12.	Bach's Mass in B Minor: Considerations of its Early Performance and Use.	JMcol	9	1	Winter 1991	109-123
	13.	Bach's metaphysics of music.	[ce]CambridgeCompanion_Bach			1997	46-59
	14.	Bach's organ sonatas BWV 525-530: Compilation and Recomposition.	OrganYb	19		1988	80-90
	15.	Bach's Passions and the Textures of Time.	HarvardPubM	22		2008	111-120
	16.	Bach's vocal scoring: what can it mean?	EarlyM	26	1	Feb 1998	99-107
	17.	Bach the heretic?	[p]BCB_Edinburgh			Jul 1994
	18.	Bach, the Postmodern Mindset and Scholarship Today.	[p]IS_Oxford			Dec 2001
	19.	Between rhetoric and dialectic - Bach's inventive stance in the Passions.	[p]SMA_Glasgow			Apr 2009
	20.	Bringing Christ to the Concert Hall -- Mendelssohn and the Reshaping of the St Matthew Passion.	[p]MendelssohnL19C_Dublin			Jul 2005
	21.	Canonische Veränderungen über Vom Himmel hoch.	BachHandb	4	2	2008	949-961
	22.	Choral culture and the regeneration of the organ.	[ce]CambridgeHist19cM			2002	522-543
	23.	Choral music.	[ce]CambridgeHist19cM			2002	213-236
	24.	Choralpartiten.	BachHandb	4	1	2007	494-510
	25.	Clavier Übung III.	BachHandb	4	2	2008	906-929
	26.	Die 'Schübler-Choräle'.	BachHandb	4	2	2008	996-1006
	27.	Emotion in the German Lutheran Baroque and the development of subjective time consciousness.	MAnalysis	29	1-3	Mar-Oct 2010	19-36
	28.	Figuring out Bach.	[fs]Elliott			2005	211-219
	29.	Historical instruments and the embodiment of music.	PubSchweizerischMfG		46	2006	9-16
	30.	Historical Performance of Bach in the Late-Twentieth Century: Meaningless, Desirable, or Unavoidable?	[p]AMS_NorthernCalifornia			Fall 1992
	31.	Historical Perspective & Introduction.	[ce]SacredChoralMusicJSB			1997	1-4
	32.	Improvised Vocal Ornamentation and German Baroque Compositional Theory - An Approach to 'Historical' Performance Practice.	JRMA	116	1	1991	41-62
	33.	J. S. Bach and G. F. Kauffmann: reflections on Bach's later style.	BachStud	2		1995	47-61
	34.	Leonhardt's Role in the Invention of Historically Informed Performance.	Bach	48	2 and 49/1	2018	9-12
	35.	Los signos de articulacion de la música para cuerda en la epoca de J.S. Bach.	Quodlibet		11	Jun 1998	3-15
	36.	Music education and the art of performance in the German Baroque.	CambridgeMlTextsMonographs			1994	xix, 237p
	37.	Organs and universities—A universal association?	[cr]Harvard2012			2013	1-10
	38.	Ornamentation.	[ce]SacredChoralMusicJSB			1997	48-54
	39.	Perfectly infinite.	BBCMMag			1997	38-40
	40.	Performer's View: Bach and the Performance of Meaning.	AmerBachSocNL			Fall 2001	5, 10
	41.	Playing with History: The Historical Approach to Musical Performance.				2002	xv, 265p
	42.	Recordings: Altbachisches Archiv: Works by Johann Bach (1604-1673), Johann Christoph Bach (1642-1703), Georg Christoph Bach (1642-1697), Johann Michael Bach (1648-1694), Johann Sebastian Bach (1685-1750).	18cM	1	1	Mar 2004	109-111
	43.	The Cambridge Companion to Bach.	[ce]CambridgeCompanion_Bach			1997	xv, 326p
	44.	The historical performance movement; Bach and the organ in 2000.	[ce]IAOMillenniumBook			2000	15-19
	45.	The Postmodern Mindset, Musicology and the Future of Bach Scholarship.	UnderstandingBach	1		2006	9-18
	46.	The Sacred Choral Music of J. S. Bach: A Handbook.	[ce]SacredChoralMusicJSB			1997	66p
	47.	The universal musician.	Guardian			12 Dec 2005	16-19
	48.	Towards a genealogy of the keyboard concerto.	[ce]KeyboardInBaroqueEurope			2003	93-110
	49.	Vida de Bach.				2000	384p
	50.	Who is speaking in the Bach passions?	[cr]Weimar2004	2		2012	428-433
	51.	The Significance and Incidence of Articulation Marks in the Primary Sources of J. S. Bach.	diss.			1987	336, 79, 31p
	52.	Principles of Performance Lost and Gained: John Butt on Bach-related subjects in conversation with Yo Tomita, Michael Marissen and Bettina Varwig.	[p]BNUK_Cambridge			Jul 2015
	53.	In Search of Bach the Organist.	[ce]BHSTercentenaryEssays			1985	185-206
	54.	Bach Network UK -- latest report: New Directions in Bach Studies: Second J S Bach Dialogue Meeting [9-10 December 2006 in Oxford]	BachNotesLBS			Mar 2007	[5]